COLLAR (OST), by Protector 101

COLLAR (OST)

by Protector 101

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kmxexii I don't hear the story of Collar in here, but maybe I don't want to. It feels more like the ambiance of a post-apocalyptic cityscape, more incidental than cinematic. The main theme is pretty good, a little odd with the plucky strings and slightly offbeat production. "Lana" and "Street Trash" are really good but sounding way out of place within the context of the album, also appearing on Neoncholy. Of all the incidental stuff, the oppressive distorted drone of "Heads or Tails" remains in my mind. Favorite track: Collar.

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1.	I Can Help You 00:52	buy track
2.	Collar (Film Edit) 03:06	buy track
3.	Forebode 01:21	buy track
4.	Bum Fight 03:02	buy track
5.	Haircut 02:01	buy track
6.	Hiding From Massive 02:42	buy track
7.	Our Special Ceremony 04:43	buy track
8.	Kidnapped and Raped 04:51	buy track
9.	Reflections 01:01	buy track
10.	Police Work 05:55	buy track
11.	Feed On Her 01:19	buy track
12.	A Pimps Concern 01:40	buy track
13.	Heads Or Tails 05:34	buy track
14.	Distractions 04:40	buy track
15.	A Phone Call 01:47	buy track
16.	Not Part Of The Script 04:16	buy track
17.	Give It To Her 03:02	buy track
18.	Lana 05:57	buy track
19.	Rachel 02:04	buy track
20.	Hook 04:02	buy track
21.	Death and Birth 03:52	buy track
22.	Street Trash 04:16	buy track
23.	Collar 05:18	buy track

about

PHYSICAL RELEASES OVER AT RDR
revolvingdoorrecords.bandcamp.com/album/collar-ost
PHYSICAL RELEASES OVER AT RDR
revolvingdoorrecords.bandcamp.com/album/collar-ost
PHYSICAL RELEASES OVER AT RDR
revolvingdoorrecords.bandcamp.com/album/collar-ost
PHYSICAL RELEASES OVER AT RDR
revolvingdoorrecords.bandcamp.com/album/collar-ost

Over a year ago my friend, Master Control Program, introduced Ryan Nicholson to my music and he enjoyed it. We eventually ended up contacting one another and at the time he had mentioned he was finishing up this movie called "COLLAR" which was an ultra violent throw back to grindhouse and films like "I Spit On Your Grave". Ryan asked if I'd be interested in writing the score for the film. Being that this kind of stuff is right up my alley I of course said accepted!

One of the biggest challenges with the soundtrack was that due to distribution reasons and others of that nature I only had one month to completely finish the soundtrack and being that COLLAR needed about 80 minutes worth of audio it was a grueling months time. Also due to the subject matter that meant I had to deal with hours upon hours of watching rape, slashing, gouging, cannibalism, rape, rape, oh... and did I mention rape? Over and over again I sat down while syncing music. It was an interesting to say the least.

That being said I did have a blast and it was a great experience to be able to work with Ryan and his crew. It gave me a chance to compose really dark drone music, something I had been craving to do at the time. The soundtrack was completely made with Synth1 software (other than a few sound effects and drums). I usually use Synth1 anyways but I couldn't see any other music software to get the effect I was looking for.

The film is dark, disgusting, and bloody. I needed a VST that could produce gritty, dark noise. Synth1 was able to do this for me. Because of this I didn't want the soundtrack to sound crystal clean. It had to be imperfect, distorted, if the sound peaked or got into the "red zone" I let it. I think this helped transfer the chaotic tension within the film.

Enjoy the dark drones...

P-101

credits

released January 1, 2015

www.facebook.com/RevolvingDoorRecords
www.facebook.com/anewleashondeath
www.plotdigger.com
www.unearthedfilms.com

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about

Protector 101 Los Angeles, California

A robot designed to protect but gone haywire in a mass slaughter of helpless humans.

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